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Must See TV: political, comedic, civic genius of Stephen Colbert

This is worth "wasting" time at work, dissing a loved one, missing a bus or class or meeting. It's in three parts right here taking up all my blog real estate, so you know I must think it's important. Just watch, listen and learn from a damn national hero. Update (May 5, 2006): thanks to a heads up from "someguy" I see that YouTube has taken the clips down due to "copyright infringment." How is that even possible?? The thing was on C-SPAN YOU IDIOTS?!?!?! Anyway, "someguy" gave me some new links, so I've killed the youtube ones Part one of three: Part two of three: Part three of three (not ESSENTIAL to watch, but might as well for completion):

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How Opal Mehta got DISSED!

opal-mehta-burned-tags.jpg Man o man! First off, I completely missed my daily blog posting goal, but whatever. I was on public radio, and as soon as I turn my back, another writer is getting hated on! Check out the image above. It's from this Amazon page for the book, "How Opal Got Kissed, Got Wild and Got a Life." It's amazing to see the crowd turn on this kid. America loves to see people rise to the top, but not nearly as much as we love to see them fall, no, get TOSSED, down onto their ass. The reviews for this book turned on a damn dime, people! Ouchie. Doodoo. I don't have too much to say, but I've read some interesting articles, including ones that talk about a "packaging firm" called 17th Street Productions that might have ultimately been responsible for the plagiarism, former teaching fellows dissing the author online, Harvard "gathering information" on the matter and Random House, publisher of the plagiarize-ee, rejecting the student's lame-sounding explanation. So when am I gonna get my $500,000 book deal??

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Special Grammy Analysis from Jason Phillips

Jason Phillips is a friend of mine from back in college. He's actually much funnier than me, but decided not to pursue comedy. He does a big annual email about his Grammy predictions. This year I've decided to share on my blog to give yall a lil' somthin different. December 8, 2005: GRAMMY NOMINATIONS CAME OUT THIS MORNING.... I WOULDN'T EVEN HAVE NOTICED BUT I REALIZED THAT I DID NOT SEE MARIAH CAREY AT BURGER KING THIS AM.... I KNEW RIGHT THEN THAT SOME SHIT WAS GOING DOWN. I MAY DO A REVIEW LIKE THE OLD DAYS. Later that day: I have many more categories to consider, but here's a teaser: *Record of the Year:* * * Will Win: Mariah Carey "We Belong Together" Should Win: Mariah Carey "We Belong Together" Where is?: Christina Milian "Dip It Low" Where is?: Barbra Streisand and Barry Gibb "Stranger in a Strange Land" Where is?: Kanye West "Diamonds from Sierra Leone" Where is?: Pussycat Dolls "Don't Cha" Let's face it, you loved Mariah's song the first time you heard it. You probably didn't like it as much the 10 billionth time you heard it last Tuesday. I mean, for goodness sake, I be waking up in the middle of the night, mouthing, "I feel all out of my element.... I need you back in my life, my life. Come back. Come back. Come back. Come back" And then I hit the high note. The Gorillaz track is good, but they should be happy to be nominated. Let's also face it, "Gold Digger" sucks as a single. I'm not sure what people see in it. As far as Greenday is concerned, the black people know that the best song on that album is "Wake Me Up When September Comes." F*** George Bush! If they had nominated that track, that would be my should win pick. What can you say about Gwen Stefani. She's almost insult-proof. Aside from the fact that she's as flat as a three month old glass of room temperature Pepsi, I've never heard anyone say anything negative about her. I also liked "What You Waiting For?" better than "Hollaback Girl." But I think this is the year of Mimi so Mariah better get her PDA ready to make her acceptance speech. December 9, 2005: *Best New Artist:* Will Win: John Legend Should Win: I guess John Legend Where is?: Lyfe Jennings Where is?: Van Hunt I guess my age is beginning to show because I have no idea who the white people in this category are. Although, I must say, while I have no beef with John Legend, I don't see how he is the best artist that came out. And why is Ciara in this category? What did she do? I know they played that song about half a billion times this year but still, just because you repeat something don't make it good. *Best Female R&B Performance:* * * Will Win: Mariah Carey "We Belong Together" Should Win: Alicia Keys "Unbreakable" Where is?: Syleena Johnson "Like a Woman" Where is?: Donna Summer "Power of Love" Where is?: Leela James "Long Time Coming" Where is?: Toni Braxton "Please" I guess I'm just a sucker for nostalgia. Listening to "Unbreakable," I was like, yeah I used to watch that! If should could have worked in the Transformers and DIC (you know what I'm talking about) I would say she should have been up for record of the year. Just kidding, this category is kind of weak this year. Usually this is a really good category. As far as Beyonce, I don't acknowledge anything related to "Roll Bounce." Yeah, let's see what's on the Soul Plane soundtrack that should be nominated and the soundtrack to The Honeymooners was robbed too. I guess if "We Belong Together" is the record of the year, then that makes this the R&B performance too. I'm feeling the Amerie track. I thought she was a 1 hit wonder but I guess her ass is just to sexy to some executive out there. Fantasia can sing but when I heard the song, I was scared as hell, she just kept shouting at me like I need to leave her alone. I was like, damn girl! I never even met you, what the f*** I did to you? *Best Male R&B Performance:* Will Win: John Legend "Ordinary People" Should Win: Usher "Superstar" Where is?: Charlie Wilson "Charlie, Last Name Wilison" Where is?: Anthony Hamilton "Soulfire" Let's get the bullshit out of the way. Mario's "Let Me Love You." Really? Grammy worthy? Really? Next! Stevie Wonder "So What the Fuss?" I am not a Stevie hater. I love Stevie, but this was the absolute worst track on the album. When I first saw the video, I thought, damn! This world is so messed up that it broke Stevie down and he has no more talent. That's not the case, because the rest of the album is much better. But this song sucks. I'm sorry. It sucks like a Hoover. Jamie Foxx once played Wanda in a skit with Luther Vandross on In Living Color. Apparently, he was channeling that ugly shit on this track. So that leaves John Legend and Usher. John Legend will win because he has more nods, but "Ordinary People" is kind of, well, an ordinary song. I prefer Usher's interpretation of "Superstar." But then, "Superstar" is such a beautiful song that it is hard to mess it up. I mean, I be singing it in the shower and spitting phlegm all over the place and still be like, damn! I sang good!!!! Clearly, Luther's version is better and Usher sounds a little whiny in parts, but it's the best of the five. (And yes, I'm dead serious about Charlie Wilson.) Best R&B Performance By A Duo Or Group With Vocals * * Will win: Beyonce and Stevie Wonder "So Amazing" Should Win: John Legend and Lauryn Hill "So High" Where is?: Kindred the Family Soul "As of Yet" Where is?: Patti LaBelle and Ron Isley "Gotta Go Solo" Destiny's Child's "Cater 2 U".... No patriarchal songs talking about getting your man's hari care products should win Grammys. Why didn't they just sing, "I be yo bitch. I be in the kitchen all day suh!" Zzzzzzzzzz. Alicia Keys and Jermaine Paul. It's not a bad song, but everytime you hear it, you think to yourself, damn, I just could have heard Luther and Cheryl Lynn sing that song. That's not really the way you should think of a remake. I mean, when you hear Tammi and Marvin sing this song, you still think, damn, I love Marvin but where is that Luther CD. This is not a knock on Alicia, this version just suffers too much by comparison. Beyonce and Stevie singing "So Amazing." They do a better job on their Luther cover but Stevie did better original work this year on his own album. However, "How Will I Know" was not the song I had in mind. Why not "If Your Love Cannot Be Moved" w/ Kim Burrell or "Positivity" with Aisha Morris – yes, the same damn daughter nominated on "How Will I Know." I hate it when the Grammy's pick the wrong track. It's like the paperwork was filled out wrong or something. By process of elimination, my pick is "So High" by John Legend and Lauryn Hill. Is Lauryn Hill still crazy? Just asking. Best Traditional R&B Performance Will win: John Legend "Stay With You" Should win: Aretha Franklin "A House Is Not a Home" Where is?: Lewis Taylor "Stop, Look, Listen (To Your Heart)" Where is?: Solomon Burke "Make Do With What You Got" Where is?: Sharon Jones & The Dap Kings "Naturally" Where is?: The Reverend Al Green "Everything's OK" Where is?: Syleena Johnson "He Make Me Say" Where is?: Leela James "A Change Is Gonna Come" Where is?: Raphael Saadiq "I Want You Back" What? Are they going to nominate every track on Mariah Carey's and John Legend's album. "Stay With You" by John Legend is not particularly special. Sounds like a throwaway track off a Jerry Butler album. Again, the better traditional R&B performance on Mariah Carey's album is "Fly Like a Bird" not "Mine Again." Alicia Keys did a better job on "If I Was Your Woman" on the studio album. The original tune was raw. Alicia turned it into some sugary lounge crap on the Unplugged album. Again, when I heard this song, I'm like, where is my Gladys Knight CD. It's hard for me to resist a good remake of "Summertime," but that's not the winner here. I'll lose my mind if somebody say something bad about Aretha Franklin. I'll kill somebody if somebody start talking about her waffle and chicken joints. I'll hurt somebody if someone mentions burning down your house for tax purposes. I'll slap anyone who talks about over singning on Luther's restrained remake. I ain't got nothin' bad to say about Aretha Franklin, except the track is a bit too embellished. Best Urban/Alternative Performance Will Win: Gorillaz "Dirty Harry" Should win: Van Hunt "Dust" Where is?: Martin Luther "Ms. America" Where is?: Kelis "Milkshake" Where is?: Utada Hikaru and Timbaland "Exodus '04" Gorillaz' "Dirty Harry," there is something deeply disturbing about that video, but the song is good. Same for Mos Def, although I am curios as to why it is in this category. And why is "Welcome to Jamrock" in this category. I guess they are talking broadly. But it's hard to argue with the song itself. Shouldn't it be in the reggae category with Shabba Ranks, Delly Ranks, Nardo Ranks, Cutty Ranks, Fragga Ranks, Martin Luther Ranks and all those other Ranks from Africa. Floetry's "SupaStar" is tight as well. Van Hunt's "Dust." What? We are about 5 categories into my rant and this is the first certifiable classic. It makes sense though because Van Hunt is a certifiably crazy dude. Anyway, this song also wins my personal "I Hope Nobody is Recording My Apartment" award because they would see me walking around in a towel in the morning talking about: "Oh yes oh yes oh yes, I'm already insane. I am dust blown away over the edge." You do it too. Don't front!

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Hello 2006. Now can we please kill the music industry?

It's official. I want the traditional music industry to go completely out of business. I want their offices emptied. I want their executives out on the street making ends meet by selling bootleg copies of the artists they've ripped off. What makes this such an urgent plea, and why is this my first message of the year? Coldplay. Today, Coldplay's new single was released, and it comes with a lot of so-called DRM or "digital rights management" which prevents even reasonable use of the CD. There's a great article over at Boing Boing which explains the restrictions, but if you're lazy, just check out the insert in the CD right here: Why oh why do the record labels hate artists and fans? They're suing listeners, installing malicious software on CDs like Sony did, and hurting artists by associating them with evil, short-sighted, greedy methods like this Coldplay thing. It just makes no sense. Coldplay is probably big enough that they don't even need a record label anymore. They should break their contract right now, and whatever the fine is, I'm sure their fans would be happy to cover it. I'll gladly chip in $20 to liberate enslaved artists from the shackles of extreme greed and corporate selfishness. But what about newer artists? They don't have the clout to just walk away, and the restrictive CDs can only hurt them as young fans turn away. New artists will need to plan for the demise of big daddy and seek new distribution and hopefully new ways to make money. The signs of the declining empire are unavoidable. So here's one of my big wishes for 2006. I want the already declining industry to slide further. Let them keep alienating their customers and artists. Let them try to screw with the iTunes pricing model which has been a lone bright spot. They are becoming less and less relevant. You know, the milk man doesn't exist anymore, but I still have no problem getting milk. So long big labels. Enjoy your last hours.

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You didn't know I cared about Oprah did you?

I just wrote the following on Oprah's message board. What? I dare you to say something... "I am a big Oprah fan, and so is my mom obviously. But I think she's taken this celebrity obsession WAY too far." I don't care how Kirstey Alley decorates. I don't really care that G. Paltrow had a kid. Oprah used to do such AMAZING stories, and I feel like she's filling the air with fluff I could watch on Entertainment Tonight or E True Hollywood Stories or VH1 or 24-Hour-Celebrity-Cam-Network. You get my idea. First we worship these people who have talents but are not worth worshipping. Then we try to be like them and have what they have though we don't make what they make. Then we get FURIOUS when they do something the least bit human (like punch someone who throws beer on you). We just need to take a chill from the celebrity worship is all I'm saying. Is it really worth the airtime to find out where some gazillionaire gets his face scrubbed? Is that helping us live our best lives? I hope Oprah will focus on other types of stories more. I remember back in the 90s when she did a TWELVE-PART series on racism and had different guests on every week to talk about a different angle. She even had KKK folks on. I remember maybe a year ago when she got deep into explaining both pro- and anti-views on the Iraq war. Now I'm not saying she has to be the next Dan Rather (plus her fact-checking department is probably better), but I AM saying that Gwyneth Paltrow doesn't need the exposure, and if this is going to be the predominant Oprah show, she should just change the name. "Oprah's Celebrity Interviews" That way I won't get my hopes up that I'm gonna see something new or different

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I knew there was a reason I liked Oprah

She just gave her entire audience free cars. As a celebration of her 19 years on the air, Oprah is making dreams come true. Ahem, Oprah. There's a lot of us out here who would just love a new president!! Also, I'd like an Apple Powerbook G5. I know it doesn't exist, but that's why they call you Oprah! Hook it up, girl!

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